Hi, I'm John Jarrold. I've run three science fiction and fantasy imprints in the UK since 1988 and edited many well-known authors – some of them were kind enough to make the comments you can see on the quotes page (if you want more background on my publishing career and credentials, visit the c.v. page of the site).

I act as a literary agent for over forty authors – check out my client list HERE, and see news of deals HERE (cover images for agency clients' fully-published works have now been added to their profiles). If you want your novel to be considered by the agency, please e-mail the first six chapters as a Word Document to the e-mail address on this page or contact me there to ask any questions. The agency does not charge a reading fee.

Since 2002, I've also been working as a self-employed editor of both fiction and non-fiction books. If you want your book edited by a professional, I can help. I can't promise you'll be published, of course, but I can shape your work to give it the best possible chance.

N.B. THE LITERARY AGENCY IS A SEPARATE BUSINESS FROM THE BOOK EDITING. PLEASE STATE WHICH SERVICE YOU ARE INTERESTED IN WHEN YOU E-MAIL ME!

Apart from a full structural edit, if you are a new writer check out the FAQs about getting published below.

My current rates for writers are: £500/$975/€740 to structurally edit a full typescript, up to 100,000 words. Above 100,000 words, the rate is negotiable. £200/$375/€295 for the first four chapters, up to 25,000 words.

* HOW DO I PRESENT MY BOOK TO A PUBLISHER?

Firstly, get in touch with the publisher. Find their phone number and/or address and ask if they are accepting unsolicited scripts (some publishers simply don't), and if so, what they would like to see: a synopsis and the first few chapters, or a complete script. Never send chapters from different places in the book. This will result in your script being returned immediately. And if you think ‘Oh, but it gets better later, the opening isn't my best writing,' then make it your best writing. Apart from interesting the publisher, your opening has to interest readers. If someone picks up a book and is not interested in the first ten pages, they'll put it down again, nine times out of ten.

There are also basic presentational matters: Double space your script. Do not print on both sides of the paper. Do not bind the script in any way, chapter by chapter or as a whole. Publishers simply find this irritating. Put a couple of rubber bands around it, and nothing more. Set the first paragraph in each new section, after a line-break, full out. Do not add a double line-break between paragraphs and set them all full out. Basically, have a look at a finished UK novel and see how it is set out – that's how you should set your script out, with the exception of double spacing (if you're in the United States, do the same with a US novel). Expect a four to six week wait for a reply, at least. Typescripts which come from literary agents are taken more seriously than those which arrive out of the blue from unpublished authors, which leads us on to…

* HOW DO I PRESENT MY BOOK TO A LITERARY AGENT?

Everything I said above applies here, too. You can find a list of agents in THE WRITERS' AND ARTISTS' YEARBOOK and THE WRITERS' HANDBOOK, both of which should be available in your nearest Central Reference Library. This will give you an idea of those agents who work in your area. And you should talk to any other writers in your genre who you know. Be prepared to be turned down more than once.

* ARE THERE BASIC RULES ABOUT GETTING PUBLISHED?

Keep reading and keep writing. It's no good writing in an area of your genre which has not sold well for some years, if being published is your goal. You are not writing in a vacuum. Before a publisher gets your book to eager readers, it has to be taken on by the book trade, and the publisher's sales department have to persuade W H Smiths, Ottakar's, Waterstone's and the rest that you, as a new writer, are worth stocking. This is not easy. It's infinitely less so if your work is so outré as to require a written explanation. Put it this way: both China Miéville and George R R Martin write fantasy. They are very different writers, but they are both interesting and accessible. Keep your own muse, but don't be wilfully obtuse. You won't get published if you do.